Dan Atkinson's always excellent blog included this weekend a couple of fine quotes from fiction in the early 1970s about the way that the maverick was being forced out by unadventurous corporate thinking.
In Regan, the pilot TV movie that led to The Sweeney, a senior police officer spells it out: 'Jack, the days of the one-man band are over; now we're an orchestra.'
Len Deighton's novel, Yesterday's Spy (1975), strikes much the same note: '"The days of the entrepreneur are over, Steve," I told him. "Now it's the organisation man who gets the Christmas bonus and the mileage allowance. People like you are called 'heroes', and don't mistake it for a compliment."'
The struggle between the misfit maverick and a faceless bureaucracy was one of the great themes of popular culture in the 1970s, and one that helped pave the way for the rise of Margaret Thatcher. But it also played into a much longer strand in British society about the decline of the nation. This is a paragraph from my book, The Man Who Invented the Daleks, in a section where I explore the childhood reading of Terry Nation:
'John Buchan’s novel, The Island of
Sheep (1936), the last to feature his secret agent Richard Hannay, begins
with our hero on a suburban train in southern England, reminiscing about the
great days at the turn of the century when "the afterglow of Cecil Rhodes’s
spell still lay on Africa, and men could dream dreams". As he looks "round the
compartment at the flabby eupeptic faces" of commuters returning home from the
City, he reflects melancholically on the realities of modern Britain: "Brains
and high ambition had perished, and the world was for the comfortable folk like
the man opposite me."'
The economic dimensions of that long decline are, as it happens, examined in the highyl recommended Going South: Why Britain Will Have a Third World Economy by 2014, written by Dan and Larry Elliott.
Monday, 24 September 2012
Thursday, 20 September 2012
Politico's
A couple of months ago, I was enthusing here about Iain Dale's publishing company, Biteback, and its predecessor, Politico's.
Rather splendidly, I read this week that Biteback has now bought the rights to the Politico's brand and that, 'under old management', it's back, calling itself 'the online political bookstore' and promising to carry the largest selection of political titles on the web. 'We want the site to become a destination for all political enthusiasts,' says Dale. Sounds good to me.
Rather splendidly, I read this week that Biteback has now bought the rights to the Politico's brand and that, 'under old management', it's back, calling itself 'the online political bookstore' and promising to carry the largest selection of political titles on the web. 'We want the site to become a destination for all political enthusiasts,' says Dale. Sounds good to me.
Thursday, 13 September 2012
Janice Atkinson-Small vs Glam Rock
I am, as I've said before, a big fan of Janice Atkinson-Small, a UKIP member who blogs on the Daily Mail's Right Minds site. She's great fun, and there are few more entertaining things in the British media than her single-handed (and single-minded) assault on the English language.
Today, as far as one can discern her meaning, she seems to be rejoicing in Margaret Thatcher's reported dementia: 'For the first time I hope she is somewhere else in her mind when opening her newspapers and does not seek the sick joke of the bad-taste t-shirts sold by the Derbyshire Unemployed Workers' Centre at the TUC conference.'
(I'm reminded of the Bishop of Leicester, whose quote I included in Crisis? What Crisis?: 'I never thought I should give thanks to God for being blind, but since my wife has told me what she has seen in the film, The Devils, I am genuinely grateful that I have been spared that.')
Ms Atkinson-Small goes on to denounce 'the hard left' as: 'A spent force who have to result to shock tactics.' And she reflects that: 'My generation remember the demise the UK car manufacturing industry which as a direct result of union action closed down with the loss of thousands of skilled jobs.' (All syntax, punctuation and vocabulary, incidentally, are taken from the original.)
But then she goes too far, saying that apart from union militancy in the 1970s, 'the only other memorable things about that decade - equally bad - were Heath taking us into Europe and glam rock.'
Now that's just being provocative for the sake of it. The wisdom or otherwise of joining the European Economic Community is a matter of political opinion. But glam rock was - and I speak objectively here - the highest achievement of post-War British popular culture. If she really was around in the early 1970s and doesn't appreciate the beauty of glam, then I can only conclude that 'she is somewhere else in her mind'.
Today, as far as one can discern her meaning, she seems to be rejoicing in Margaret Thatcher's reported dementia: 'For the first time I hope she is somewhere else in her mind when opening her newspapers and does not seek the sick joke of the bad-taste t-shirts sold by the Derbyshire Unemployed Workers' Centre at the TUC conference.'
(I'm reminded of the Bishop of Leicester, whose quote I included in Crisis? What Crisis?: 'I never thought I should give thanks to God for being blind, but since my wife has told me what she has seen in the film, The Devils, I am genuinely grateful that I have been spared that.')
Ms Atkinson-Small goes on to denounce 'the hard left' as: 'A spent force who have to result to shock tactics.' And she reflects that: 'My generation remember the demise the UK car manufacturing industry which as a direct result of union action closed down with the loss of thousands of skilled jobs.' (All syntax, punctuation and vocabulary, incidentally, are taken from the original.)
But then she goes too far, saying that apart from union militancy in the 1970s, 'the only other memorable things about that decade - equally bad - were Heath taking us into Europe and glam rock.'
Now that's just being provocative for the sake of it. The wisdom or otherwise of joining the European Economic Community is a matter of political opinion. But glam rock was - and I speak objectively here - the highest achievement of post-War British popular culture. If she really was around in the early 1970s and doesn't appreciate the beauty of glam, then I can only conclude that 'she is somewhere else in her mind'.
Saltaire
I was in Yorkshire on Tuesday, doing a talk about Terry Nation and the Daleks as part of the 10th Saltaire Festival. And very enjoyable it was too: a small but very welcoming group of people, and a stunningly beautiful town.
My thanks to David Ford, of the Saltaire Bookshop, who invited me and to him and his wife, Vanessa, for kindly putting me up for the night.
Friday, 31 August 2012
Daleks Daleks everywhere
As the BBC starts to gear itself up for the fiftieth anniversary of Doctor Who next year, the new series starts tomorrow with the return (yet again) of the Daleks, the enemy that keeps coming back for more.
To mark the occasion, there's a bit by me in the current edition of the New Statesman about the Daleks and their creator, Terry Nation. My thanks to Jonathan Derbyshire for commissioning the piece, and for giving it such a fabulous title: Sergeant Pepperpots.
To mark the occasion, there's a bit by me in the current edition of the New Statesman about the Daleks and their creator, Terry Nation. My thanks to Jonathan Derbyshire for commissioning the piece, and for giving it such a fabulous title: Sergeant Pepperpots.
Thursday, 30 August 2012
Let Us Now Praise ... Rhodes Boyson
The death of Rhodes Boyson, former Labour councillor and long-time Conservative MP, failed to make it onto the news bulletins of Radio 5 Live, though it was mentioned on Radio 4. Perhaps that's inevitable. Boyson has been out of the political spotlight for a long time - when I was writing Crisis? What Crisis? five years ago, I tried to get an interview with him, but he was already too ill by that stage.
Insofar as he is remembered by the general public, it's probably as that strangely old-fashioned, mutton-chopped figure who appeared on Have I Got News for You and who agreed with Ali G that there was something to be said for children getting caned at school. Or, just possibly, there might be memories of him as the right-wing education minister in Margaret Thatcher's government.
In thinking Tory circles, meanwhile, he's still remembered for the Black Papers of the 1970s, in which he lambasted contemporary education theory, and did so from a position of some authority, having been headmaster of Robert Montefiore School and of Highbury Grove comprehensive.
But my interest in Boyson, and the reason I wanted to speak with him, was largely on the strength of a little book he edited, Right Turn (Churchill Press, London, 1970), published shortly after the election of Edward Heath as prime minister. It's a fascinating document, no bigger than a paperback and with just 150-odd pages, but in that space its various contributors - including Ralph Harris, Alfred Sherman and Ross McWhirter - provide a comprehensive blueprint for Thatcherism, half-a-decade before Thatcher came to the same conclusions.
The key contribution, from my perspective, was the introductory essay by Boyson himself. He was later to publish his memoirs, Speaking My Mind (1995), but some of the background was covered in this thirteen-page piece.
He came from a radical family. His grandfather was 'blacklisted for trade union activities in the mills of the late 1880s', his father 'believed that socialism would bring world brotherhood and peace' and was a conscientious objector in the Second World War, and he himself was brought up within the faith. Born in Lancashire in 1925, his education came within the Labour movement, with its traditions of self-education and internationalism: 'The volumes of the Left Book Club were devoured by those of us who grew up in the depressed areas as the first recipients must have read the epistles of Saint Paul.'
His conversion to conservatism came from a belief that socialism, and in particular the Labour Party, had lost its way, had become attached to the state, and in the process had damaged the moral fibre of society: 'It has become destructive of the self-reliance and responsibility which were the pride of the 19th-century nonconformists.'
You don't have to agree with his conclusions, or the policy positions he came to as a consequence, to recognise the power of his story. There were many formerly on the left who came to endorse Thatcher (from Woodrow Wyatt to Paul Johnson), but Boyson's background and experiences lifted him well beyond their shabby ranks. For anyone wanting to understand what happened to the Conservative Party in the 1980s and beyond, there's no better place to start. Because, even more than Enoch Powell, Boyson represented the soul of the Thatcherite revolution.
Tuesday, 28 August 2012
Wales since 1939
I've been reading Martin Johnes's book Wales since 1939. And damn fine it is, too. Obviously it's going to be your first port of call if you have any interest at all in modern Welsh history, but it's also pretty essential if you're serious about post-War Britain.
There's a tendency - and I know I'm guilty of this - of not giving sufficient attention to Wales when looking at Britain more broadly; like Northern Ireland, it can be overlooked. So Johnes's book is welcome as a corrective to that, putting a mass of information on record about the changes wrought in the country over the last six decades.
Much of the ground is familiar as part of the UK story, but benefits enormously from having a different focus. The nationalisation of the coal industry, the advent of independent television, the entry into the EEC - it's fascinating and illuminating to see these developments from an angle too often neglected.
I was particularly fond of the chapter 'Promiscuous Living', on the social changes of the 1950s and '60s. Ignoring London and the handful of other English cities that always get examined, it's a joy to read about the impact of youth culture on Carmarthen and Cardigan, to hear Deke Leonard talking about his early days playing rock and roll, and to learn about an Aberystwyth group called Y Blew playing at the National Eisteddford in 1967 and calling for more groups 'prepared to twist and shout in Welsh'.
Perceptions of Wales changed in the 1990s, with the Cool Cymru moment and with the arrival of devolution - which is why I started reading this book, before getting sidetracked well beyond my immediate concerns - but Johnes is determined not to get carried away by an emerging sense of Welsh nationhood. His close analysis of statistics relating to, say, the revival of the Welsh language suggests a process still in its early days, while he's keen to draw attention to the fragility of the economic recovery during the long boom of 1994-2008: 'Wales did get wealthier; it was just that England got even wealthier even quicker'.
It's a terrific piece of political and social history, epic in its scope, fascinating in its detail, and splendidly readable.
Labels:
Deke Leonard,
Martin Johnes,
Wales,
Wales since 1939
Monday, 27 August 2012
Two hundred days later...
Yesterday was the two hundredth day since I writing my book on the 1990s. Since I aim to average a thousand words a day, and since I was contracted to write a 200,000-word book, that should mean that I've finished.
Regrettably, I haven't.
I'm still keeping to my scheduled word-count, but the end is not yet in sight. It's going to be a long book, I fear. Indeed, it's already longer than anything I've previously written. Bits of it, however, are quite good.
Regrettably, I haven't.
I'm still keeping to my scheduled word-count, but the end is not yet in sight. It's going to be a long book, I fear. Indeed, it's already longer than anything I've previously written. Bits of it, however, are quite good.
Monday, 13 August 2012
Sid Waddell
The sad death of Sid Waddell, probably the most entertaining sports commentator we've ever had, is inevitably marked by collections of his sayings, such as this list. Included there is the classic: 'His eyes are bulging like the belly of a hungry chaffinch.'
But I've never seen quoted anywhere (except in my own Rejoice! Rejoice!) my all-time favourite, so I thought I'd add it to the mix: 'There's only one word for that - quintessential!'
What a man. Without him, darts would never have become a serious television sport.
But I've never seen quoted anywhere (except in my own Rejoice! Rejoice!) my all-time favourite, so I thought I'd add it to the mix: 'There's only one word for that - quintessential!'
What a man. Without him, darts would never have become a serious television sport.
A Close Shave
It was a great pleasure to hear Peter Hitchens on the Today programme this morning. I read his Mail on Sunday column yesterday, in which he warned that 'you can now be arrested for not smiling when an Olympic event is taking place', and I feared for his safety.
Happily it turns out that he hasn't yet been detained, and the worst that seems to have happened is that he's invited to discuss his thoughts with James Naughtie to an audience of millions.
It's good to know that the 'totalitarianism' Hitchens fears hasn't quite kicked in yet. He still sounded very cross, though. Almost as cross as his Mail colleague Stephen Glover, who was so upset by the opening ceremony with its 'Marxist version of our island history'.
Happily it turns out that he hasn't yet been detained, and the worst that seems to have happened is that he's invited to discuss his thoughts with James Naughtie to an audience of millions.
It's good to know that the 'totalitarianism' Hitchens fears hasn't quite kicked in yet. He still sounded very cross, though. Almost as cross as his Mail colleague Stephen Glover, who was so upset by the opening ceremony with its 'Marxist version of our island history'.
Tuesday, 31 July 2012
The Hills Have Eyes
I was reminded yesterday of what Paul Merton once called the 'spontaneous poetry' of live Teletext subtitles. I was waiting to be served in a pub and there was a feature on some local news programme that included a snippet from the Olympic opening ceremony; the bit that included William Blake's thoughts on the building of Jerusalem among the 'dark Satanic hills'.
Monday, 30 July 2012
A gratuitous plug
I assume that we all start from the position of seeing Danny Boyle's national pageant as a work of genius, an evening of terrific, mood-altering entertainment that cost around £27 million and, coincidentally, attracted a TV audience of around 27 million. For a quid a head, this is great value.* And the BBC are even good enough to offer a version on iPlayer without commentary.
It would be churlish to find fault with anything that was included (that's what we have backbench Tories for) and absurd to imagine that it could cover anything more than a tiny fraction of its potential subject-matter. Having said which...
My only regret is that the section celebrating British music, movies and television seemed to reinforce what's becoming a default position in the media: that popular culture started in 1963, 'between the end of the Chatterley ban and the Beatles' first LP'.
And that's rather late for me. Just in terms of rock and roll, I'd have loved to have seen an acknowledgement of British pop in the pre-Beatles years: Rock Island Line, Move It, Maybe Tomorrow, Shakin' All Over, Telstar: that would have been sufficient.
Happily, the artists who made those records - and many, many more - will feature in the exhibition of Harry Hammond's photographs, Halfway to Paradise, which finally reaches the V&A in London this October, after touring the country for two years. And it will be accompanied by a reissue of the book of the same name.
Just thought I should take the opportunity to plug one of my own books.
*Just by way of comparison: Liverpool paid £35 million for Andy Carroll and are currently trying to off-load him for £20 million, after just 56 appearances for the club. Assuming they get that figure (which they probably won't), and assuming that half those appearances were at the 45,000-capacity Anfield, that works out at £11 a head. (There is another way of evaluating his contribution: since Carroll's job is to score goals, and he's scored eleven times for the club, perhaps one should see the return as being somewhere around £1.3 million per goal.)
It would be churlish to find fault with anything that was included (that's what we have backbench Tories for) and absurd to imagine that it could cover anything more than a tiny fraction of its potential subject-matter. Having said which...
My only regret is that the section celebrating British music, movies and television seemed to reinforce what's becoming a default position in the media: that popular culture started in 1963, 'between the end of the Chatterley ban and the Beatles' first LP'.
And that's rather late for me. Just in terms of rock and roll, I'd have loved to have seen an acknowledgement of British pop in the pre-Beatles years: Rock Island Line, Move It, Maybe Tomorrow, Shakin' All Over, Telstar: that would have been sufficient.
Happily, the artists who made those records - and many, many more - will feature in the exhibition of Harry Hammond's photographs, Halfway to Paradise, which finally reaches the V&A in London this October, after touring the country for two years. And it will be accompanied by a reissue of the book of the same name.
Just thought I should take the opportunity to plug one of my own books.
*Just by way of comparison: Liverpool paid £35 million for Andy Carroll and are currently trying to off-load him for £20 million, after just 56 appearances for the club. Assuming they get that figure (which they probably won't), and assuming that half those appearances were at the 45,000-capacity Anfield, that works out at £11 a head. (There is another way of evaluating his contribution: since Carroll's job is to score goals, and he's scored eleven times for the club, perhaps one should see the return as being somewhere around £1.3 million per goal.)
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